Digital Juice is back on the video visual effects scene with a much-awaited third volume of superb high-quality visual effects elements, this time focusing on the many properties of liquid motion. With more than 325 organic high-resolution, high speed clips, COMPOSITOR'S TOOLKIT 3 (CTK3) has more visual effects than either of its predecessors in 13 all-new categories including Liquid Metal, Water Curls, Viscous Motion, Fluid Bursts and more. The liquid effects in this volume run the gamut from subtle swirling slow motion ink drops and surfaces filled with clear water waves, ripples, bubbles and streaks to high-energy throws and bursts of grungey mud, sediment and blood splats.
The secret to pulling off great effect shots and motion graphics composites is using great tools. Not just software tools but also the visual elements you have to work with. The more realistic and high quality your elements and footage, the more believable your final composite will be. With Compositor's Toolkit, Digital Juice has gone through painstaking lengths to capture the essence that only real live effects can deliver. Imaginative limits are boundless with this artful collection of high resolution, ultra slow motion liquid effects.
Features- Just the facts
Benefits- What it means to you
- Over 170 GB of content
- With over 325 high definition clips, you get the largest single volume of high resolution liquid visual effects elements available anywhere.
- 13 Unique Categories
- With every possible type of fluid/liquid organic element, this collection is geared offers a variety of clips for all users and is great for all types of productions, from building simple subtle graphic backgrounds to creating complex realistic visual effects.
- All Organic Elements
- Real organic elements add realism and believability to your post-production effects composites.
- 2K Ultra High Resolution
- Shot at 2048x1536, these bigger than HD resolution elements give you more than enough pixels to work with in any SD and HD environment.
- Super Slow Motion
- Frame rates ranging from 100 - 700 fps were used in order to capture the unique properties of each type of liquid element so you would have more realistic, more dramatic footage for your next production.
ALL ORGANIC ELEMENTS
Organic elements are real objects and phenomena, painstakingly manipulated during production to behave in various ways in order to add realism and believability to your post-production effects efforts. Digital Juice has gone through painstaking lengths to capture the essence that only real live effects can deliver.
2K ULTRA HIGH RESOLUTION
All elements were shot at 2048x1536, a bigger than HD, film-like resolution. This means you have more than enough pixels to work with for any kind of SD or HD production environment. You will quickly come to rely on the flexibility and power offered by such high resolution clips. Fly-throughs, speed ramps, panning and layering ideas are endless with this library.
Super Slow Motion
All elements acquired with a high speed camera at speeds ranging from 100 - 700 fps
Using state of the art, high speed digital cameras, each element was shot at the highest possible frame rate to capture the unique properties of the different elements that were used.More Info on the Technology Used RED offers the Mysterium™ Super 35mm cine sized (24.4x13.7mm) sensor, which provides 4K (up to 30 fps), 3K (up to 60 fps) and 2K (up to 120 fps) capture, and all this with wide dynamic range and color space in 12 bit native RAW. At 4K, that's more than 5 times the amount of information available every second and a vastly superior recording quality. (Source: RED website) Vision Research introduced the advantages of high speed digital imaging to the world of 2K and HD media production with their new Phantom camera. It is not just a high-speed camera, but an instrument that gives the cinematographer 35mm depth of field either at HD or 2K resolutions. The Phantom HD now combines the visual quality of high-definition imaging with the high frame rates of specialty cameras. (Source: Vision Research website)
READY-TO-USE PRE-EXTRACTED MATTES
are included for most elements. This makes for easy alpha channel keying. In our free Juicer utility, you can enable or disable the usage of a matte file to create an alpha channel during render. You can even choose to render only the matte alpha if you wish.
Great composites are only as good as the elements you use to sell the illusion, and all of the elements in the Compositor's Toolkit 3 are no exception. This collection of liquid motion elements are geared for all users and are great for all types of production uses, from building simple subtle graphic backgrounds to creating complex realistic visual effects. Consideration was given to all levels of video artists when creating this library.
Non-Linear EditorsNon-linear editors will find this library useful by expanding the visual value of their productions.
Many of our effects elements in several categories were created with the video editor in mind. Manipulation of the elements can be done using many of the standard keying, sizing and motion techniques.
Motion Graphic ArtistsSimilar in many ways to both the Non-Linear Editor and the Visual Effects Artist, the Motion Graphic Artist will quickly come to rely on the flexibility and power offered by such high resolution clips. Fly-through, speed ramps, and layering ideas are endless with this library.
Visual Effects ArtistsVisual Effects are all about selling the illusion. And any VFX artist will tell you, more is always better. In this package you'll find more resolution, more frames, and more options on the same liquid elements. We're confident that our third offering to this segment of the market is a complete one.